The 54th annual GRAMMY Awards were announced tonight in Los Angeles. Chris Tomlin and Brandon Heath lead the list of Christian/Gospel nominations with three nominations each. Among the impressive list are a host of first-time nominees, including Natalie Grant for her powerful contribution to The Story project and newcomers Jamie Grace and Royal Tailor. Strangely absent are usual heavyweight favorites Casting Crowns, MercyMe, TobyMac and Jeremy Camp. Here’s a complete list of the nominees in the Christian/Gospel categories:
Best Gospel/Contemporary Christian Music Performance
“Do Everything” – Steven Curtis Chapman
“Alive (Mary Magdalene)” – Natalie Grant
“Your Love” – Brandon Heath
“Jesus” – Le’Andria Johnson
“I Lift My Hands” – Chris Tomlin
Best Gospel Song
“Hello Fear” – Kirk Franklin, songwriter (Kirk Franklin)
“Sitting With Me” – Erica Campbell, Tina Campbell, Gerald Haddon & Tammi Haddon, songwriters (Mary Mary)
“Spiritual” – Donald Lawrence, songwriter (Donald Lawrence & Co. Featuring Blanche McAllister-Dykes)
“Trust Me” – Richard Smallwood, songwriter (Richard Smallwood & Vision)
“Window” – Canton Jones, songwriter (Canton Jones)
Best Contemporary Christian Music Song
“Blessings” – Laura Story, songwriter (Laura Story)
“Hold Me” – Jamie Grace Harper, Toby McKeehan & Christopher Stevens, songwriters (Jamie Grace Featuring Tobymac)
“I Lift My Hands” – Louie Giglio, Matt Maher & Chris Tomlin, songwriters (Chris Tomlin)
“Strong Enough” – Matthew West, songwriter (Matthew West)
“Your Love” – Brandon Heath & Jason Ingram, songwriters (Brandon Heath)
Best Gospel Album
“The Love Album” – Kim Burrell
“The Journey” – Andraé Crouch
“Hello Fear” – Kirk Franklin
“Something Big” – Mary Mary
“Angel & Chanelle Deluxe Edition” – Trin-I-Tee
Best Contemporary Christian Music Album
“Ghosts Upon The Earth” – Gungor
“Leaving Eden” – Brandon Heath
“The Great Awakening” – Leeland
“What If We Were Real” – Mandisa
“Black & White” – Royal Tailor
“And If Our God Is For Us…” – Chris Tomlin
The Civil Wars scored two nominations in the Country/Folk categories, while Dave Barnes and Amy Grant both garnered nods for their songwriting efforts.
Best Country Duo/Group Performance
“Don’t You Wanna Stay” – Jason Aldean With Kelly Clarkson
“You And Tequila” – Kenny Chesney Featuring Grace Potter
“Barton Hollow” - The Civil Wars
“Are You Gonna Kiss Me Or Not” – Thompson Square
Best Folk Album
“Barton Hollow” - The Civil Wars
“I’ll Never Get Out Of This World Alive” – Steve Earle
“Helplessness Blues” – Fleet Foxes
“Ukulele Songs” – Eddie Vedder
“The Harrow & The Harvest” – Gillian Welch
Best Country Song
“Are You Gonna Kiss Me Or Not” – Jim Collins & David Lee Murphy, songwriters (Thompson Square)
“God Gave Me You” – Dave Barnes, songwriter (Blake Shelton)
“Just Fishin’” – Casey Beathard, Monty Criswell & Ed Hill, songwriters (Trace Adkins)
“Mean” – Taylor Swift, songwriter (Taylor Swift)
“Threaten Me With Heaven” – Vince Gill, Amy Grant, Will Owsley & Dillon O’Brian, songwriters (Vince Gill)
“You And Tequila” – Matraca Berg & Deana Carter, songwriters (Kenny Chesney Featuring Grace Potter)
The GRAMMY Awards will be held February 12, 2012, in LA. Fans can watch the awards show live on CBS. For a complete list of nominees, click here.
Who do you think should have been nominated for a GRAMMY this year?









































Blue Like Jazz Premieres This Weekend
14 AprMiller, Taylor and Marshall Allman (“Prison Break,” “True Blood”), who plays a younger Miller in the film, arrived in an old, beat-up car Allman drives in the movie. With Taylor at the wheel, Miller and Allman greeted fans as they perched on the hood. Following their arrival, attendees were allowed onto the red carpet to head into the theater.
The movie proved to be just as satisfying as the book. For the millions of readers who have been affected by Miller’s thoughts in Blue Like Jazz, the film adaptation is every bit as compelling, thought-provoking and provocative. Like the book, the movie makes you question what you believe and why you believe it. It follows Miller as he questions the existence of God after enrolling in Reed College, an academically challenging school that’s as liberal as they come. Miller, who grew up a conservative southern Baptist, is thrust out of his comfort zone and into a new world of drugs, alcohol and sex, all the while trying to figure out who he is and if God can possibly relate to his life. Ironically, his out-of-the-ordinary experiences at Reed teach him what it really means to be a follower of Jesus. Filmed in Nashville, Tenn., and in Portland, Ore., it’s a coming-of-age story that is insightful and true-to-life. However, it’s as controversial as it is compelling.
Warning: if it’s Courageous you’re wanting, this isn’t it. Blue Like Jazz The Movie is filled with profanity, drug and alcohol use and debauchery of all sorts. But that’s the way Miller and Taylor wanted it. Their goal was to provide a realistic glimpse into the life of the ordinary college student. Miller not only explores college life, but he also tackles a number of taboo topics: infidelity, homosexuality, divorce and drug addiction, among other things. Taylor and Miller have managed to create a Christian movie that doesn’t sugar coat reality, but instead, accurately portrays life in all it’s ugliness and its beauty. The colorful characters in the story, like the compasionate Penny and the jaded “Pope,” weave the story together intricately, profiling a variety of interesting characters who also make appearances in Miller’s book. While the book mirrors Miller’s life, the movie takes certain liberties and fictionalizes parts of the author’s life.
As Miller journeys toward what he believes and discovers who he is and how God fits in his life, he also realizes he has a lot to apologize for as he has fallen into the hypocritical trap of thinking Christianity is more about religion and less about loving and accepting people. The ending scene is one of true tear-jerking redemption. It doesn’t commence in a neat bow. In fact, the viewer isn’t really sure what happens next for Miller, but the resolve is found in the main character finally coming to terms with the fact that God exists, He believes in Him and He wants to live a life that immulates Christ.
In both production and artistic value, this movie is top-notch for having such a small budget. And all the fans who gave money through Kickstarter? They’re thanked in the credits of the movie. Without the support of passionate readers who appreciate thought-provoking art, this movie never would have been made. And that would have been a tragedy. It may be controversial, but without a doubt, Miller and Taylor will start some conversations. They already have. We need more movies like Blue Like Jazz, ones that portray redemption in the midst of real life.
Go out and see Blue Like Jazz THIS WEEKEND! Opening weekend numbers will determine how many theaters its shown in and how long it stays in theaters. Visit www.bluelikejazzthemovie.com to see if it’s playing in your area.